In
After the Dance, one of Haiti’s most renowned daughters
returns to her homeland, taking readers on a stunning,
exquisitely rendered journey beyond the hedonistic surface
of Carnival and into its deep heart.
This volume explores ways in which Trinidad's
history and culture is related to Carnival music. It looks
at the genres of calypso, steelband, and soca, and examines
how the instruments, sounds, and lyrics of Carnival music
provide a sense of national and ethnic identity.
In this
vivid and exuberant book, journalist Peter Mason looks at
the past, present, and future of carnival, using not just
personal observations and printed sources but also
interviews with a wide variety of participants, including
performers, pan tuners, designers, and stick fighters.
Starting from the days
of slavery and following through to the first decades of the
twentieth century, this book traces the evolution of
Carnival and secular black music in Trinidad and beyond.
Does
the mask reveal more than it conceals? What, this book asks,
becomes visible and invisible in the masking practiced in
Caribbean cultures-not only in the familiar milieu of the
carnival but in political language, social conduct, and
cultural expressions that mimic, misrepresent, and mislead?
This dual-site ethnography follows the
celebration of Carnival from Trinidad to North America, where immigrant
Trinidadian-Americans loyally perpetuate this annual cultural event.
Philip Scher uses the lens of transnationalism to explore the Carnival
tradition transported from Trinidad by the immigrant Trinis living in
Brooklyn, New York.